Hootie & the Blowfish - "Hootie & the Blowfish"

This is the last Hootie & the Blowfish album that I have purchased thus far. Released in 2003 it had been five years between their last studio album ("Musical Chairs"). In between, however, they released a covers album "Scattered, Smothered and Covered" in 2000.

Their self titled fourth album follows the same format as their previous three. Catchy hooks, ringing guitars, pounding drums, and Darius Rucker's distinctive voice. The best cuts are "Innocence," "Space," "The Rain Song" and "Little Darlin'." There is also a pretty good unlisted song tacked onto the end of the last track. Only problem is you have to wait through several minutes of blank space to get there.

The songs on this album are much easier to get into than the ones of "Musical Chairs." Hootie & the Blowfish are a bar band made good and they embrace their bar band sound. The music is fun and catchy and plays well on long drives or when doing house work and especially in a bar. Basically if you enjoyed any of Hootie & the Blowfish's previous albums you will probably enjoy this.

Hootie & the Blowfish - "Musical Chairs"

After Hootie & the Blowfish became the most popular band in America with their 1994 debut "Cracked Rear View" which sold 13 million copies and produced a slew of hit singles.

They released their 1996 sophomore album "Fairweather Johnson" which followed much the same formula as the debut but did not contain any instant hit songs like its predecessor. Despite going multi-platinum and topping the charts most people wrote the album off as a failure and Hootie & the Blowfish left the national spotlight.

This gave them the opportunity to do what they wanted to do, tour and perform for the fans. They retained a large and dedicated fan base who were more than happy to sell out concerts and buy whatever albums the band decided to release.

In 1998, without the pressure and massive media spotlight that glared on their second album, Hootie released their third album, "Musical Chairs." The seemingly winking title concerning the music scene's ever changing hands. While billed as a return to form by many critics this album actually follows the exact same format as their previous two efforts. Catchy bar band folk-pop-rock played with pounding drums, acoustic guitars, and good old southern charm. They occasionally add an orcestral section here but for the most part it is the four man band sound of their previous records. The songs, again, play heavily on lead singer Darius Rucker's powerful vocals. What sets this album slightly above "Fairweather Johnson" is that they find some great catchy singles like the excellent "Only Lonely" and "Michelle Post."

This is a very good listening in the car album and there are some great songs for Hootie fans. Not sure if every song is worth the price of the album so this maybe better as an iTunes purchase picking the best tracks and leaving the rest. Overall "Musical Chairs" is a solidification of their sounds. Hootie & the Blowfish know what they do well and know what their fans like; and they are going to keep on doing it as long as they want.

Hootie & the Blowfish - "Cracked Rear View"

I received this album as a Christmas present one year and for a while I was really into Hootie & the Blowfish.  Not to say I no longer enjoy their music but I am just not so fanatic anymore.

"Cracked Rear View," their debut album, released in 1994 quickly became the most likely and unlikely megahit to be released in the 1990s, selling 12 million copies and catapulting the band to superstardom.

The four band members met at the University of South Carolina in 1989 and became a popular local college band performing covers of R.E.M. Eventually writing their own music, much of which appeared on this album.

The reason I call them the most unlikely superstars is that they were a completely unknown band aside from the college towns and their music was seemingly out of touch with the time; in the early 90s every thing was engulfed in the Grunge hard rock of Seattle.

On the other hand they were the right band at the right place at the right time. Kurt Cobain had killed himself shortly before this album was released. The overexposure of Grunge music had killed the market (much like the 80s Hair bands or the Boygroups of the 2000s). Also the depressing and dark content of much of the Grunge style was getting a little much for many listeners and they wanted a simple happy refresher from all this darkness. Not to mention Bill Clinton had been elected the year earlier and was turning out to be a really awesome President, especially compared to his two predecessors.

So here comes "Cracked Rear View" in the Summer of 1994 a simple straight ahead folk-rock roots pop album filled with damn catchy hooks and melodies with some heavy MTV video and radio rotation. The music is sharp and Darius Rucker's powerful vocals help the music to no end. The songs are certainly not innovative but Hootie knows exactly how to frame and execute them. The songs all basically follow a generic pattern but the chorus' are all memorable and sing-a-long. The good time vibes of many of the songs as well as the every man qualities of the more serious songs like "Let Her Cry," "Time," and "Drowning" provide a wonderful feel that American music listeners were looking for in 1994.

Like Huey Lewis & The News, Hootie & the Blowfish are a bar band that is not really interested in being the most important band since The Beatles. They want to have a good time, make some good music, and throw back a few cold ones at the end of the day. For a time all of America wanted to join them. Like I said earlier I was one of those, I still enjoy their music and there are some days when "Cracked rear View" is all I need to feel better (particularly when I'm driving).  Every now and then I Only Wanna Be with Hootie & the Blowfish.