We all have long lists of movies we've been meaning to watch, I've been catching up on films during this pandemic while staying inside. Here are three more of the films I've seen I hope you enjoy. -Ryan
A majestic film about the "modern" American West set in the 1940s during the waning days of WWII. Jane Fonda plays a widowed rancher struggling to keep her land and round up enough cattle to pay the bills. One day a neighboring rancher (James Caan) is found wounded and is nursed back to health by the widow. They reluctantly decide to become partners as they are the last two independent farm owners in the area, to round up a herd of cattle for sale to fend off the big land baron (Jason Robards) who wants to own the entire valley and drill for oil. The team of director Alan J. Pakula and cinematographer Gordon Willis (who previously worked on Klute and All the President's Men among others) create truly beautiful images here that are unlike anything they previously have done as a team before. They usually work in urban city environments so it makes this film all the more impressive as they capture the majesty of the mountains. plains, forests, and ominous clouds, these are truly paintings on film. The story is simple in the extreme and the film is slow paced and quiet, sometimes to the point of nothing happening except pretty images, which may lose many viewers. I was not bothered by the leisurely pace I was bothered by the heavy handed villainy of the Robards character, his performance is commanding as usual, but the script gives him very little to work with. As well the big climax seems to come from a completely different movie and almost feels tacked on, it feels out of place in the film. Overall I have been wanting to see this film for a long time and I am glad I saw if just for the beauty of the filmmaking and acting.
This Disney historical fiction, depicts the pre-production of the studio's classic 1964 film Mary Poppins and specifically the process of convincing and securing permission from author P. L. Travers (wonderfully played by Emma Thompson) to use her characters for the film. That is the basic story but as the title implies it really is about Travers coming to terms with the long ago death of her dreamer/banker/alcoholic father (Colin Ferrell) who is the loose basis for the Poppins character Mr. Banks. There's also Tom Hanks playing Walt Disney (the person not the company) and despite his high billing he has more of a supporting role, but when he is on screen the movie really shines it's a shame he is not in more of the film. This film actually harkens back to the live action Walt Disney Pictures films of the 1980s and early 1990s, such as Wild Hearts Can't Be Broken and Never Cry Wolf, which were more adult oriented but still family entertainment though young children will probably be bored by any of these. Overall, though the whole first hour is mostly set up which makes it a little slow going since we all know where the story is headed, the period detail excellent, the actors are perfectly cast, and it is an entertaining story.
A wealthy Los Angeles inventor (Roy Scheider), whose wife (Ann-Margaret) is a candidate for public office, has an affair with a young model (Kelly Preston) and as the film begins he is blackmailed with videos of his liaisons with the young woman by three men hooded men with guns. The inventor decides to turn the tables on the blackmailers and fight back. Based on a book of the same name by Elmore Leonard (who also co-wrote the screenplay) we have the usual snappy dialogue, and the plot is good, though like some (most) of Leonard's work we spend over half the film with the sleazy villains and after a while there is no enjoyment there it just makes the viewer feel lousy, on top of that the big climax is a big let down. The blackmailers (led by John Glover at his slimy best) work in the world of low budget pornography and prostitution clubs of Sunset Strip, which features a continual abuse or degradation of women that makes the movie hard to watch (Preston's character is tortured, Ann-Margaret's character is kidnapped and then pumped full of heroin, etc). The only reason I gave it two stars is because of the strong cast and it is directed by John Frankenheimer whose excellent eye and use of LA locations bump it up a little, other than that it is a hard ride.
As the weirdo I am, I never saw Mary Poppins until a few years ago, which was a few years after seeing Saving Mr. Banks. So from this unique standpoint, I felt the film to be not so predictable, and very emotionally powerful. It’s actually deceptively good.
ReplyDeleteAh James Cameron Stan, it may actually be more interesting to see Saving Mr. Banks and then Mary Poppins making Poppins like a sequel. I agree it is a good story well told.
Delete