Billy Joel - "Greatest Hits Vol. III"

Released in 1997 four years after Billy Joel retired from Pop music. There had been a number of trials and tribulations between this Release and his previous hits collection released in 1985.

Between 1985 and '97 Joel had toured the USSR (1987), a great honor considering no American musician had been allowed to perform there during the cold war, which was documented on video and on album ("Kohuept"). He had two legal battles one with his manager who had stolen a large amount of Joel's money and his lawyer who had done similar things. He retired from music in 1993 and divorced wife of ten years Christie Brinkley in 1996. Also during this period he released only three new studio albums "The Bridge," "Storm Front" and "River of Dreams" all of which produced a number of hit singles and were big selling albums. Joel was also trying to recoup his stolen money so he toured extensively through the 1989-1994 era.

SO now we come to Greatest Hits III which by and large is a very well done hits compilation on par with his two previous comps. There are two big hits (which have actually been forgotten by most people and is possibly why they are not here) left off the disc, "Modern Woman" and "Big Man on Mulberry Street," but other than that this is a solid collection and a great document of the last part of Joel's recoding career.

The disc starts with two big hits that were left off his previous collection "An Innocent Man" and "Keeping the Faith" then flows into his late 80s and early 90s hits. These songs are very different from all his previous work as they are more slickly designed to be pop hits (the albums often contained a half hits and other half forgettable filler). But what is included here is excellent if slightly darker than his early work but great tracks one and all from "A Matter of Trust" to "River of Dreams" all his best latter work is here.

This compilation ends with three new recordings to entice big fans, all are covers however by Leonard Cohen, Bob Dylan, and Goffin and King respectively. All three are preformed in sleepy slow versions and only Joel's rendition of Dylan's "To Make you Feel My Love" sticks in the memory. But these three tracks are not on par with the rest of the hits and Joel seems to have halfheartedly thrown them on at the record company's request. Also as is par with Joel albums the booklet is just the song lyrics nothing more.

Other than that this is a great compilation especially since Billy Joel's albums from this period were often half hits and half forgettable this is a really necessary collection for fans and novices.

Billy Joel - "River of Dreams"

The first CD I ever owned and Billy Joel's last pop album of new material.  After his massive 1980s success Joel had been riding high on "An Innocent Man" and "The Bridge" when he found that his manager, since the beginning of his career, had embezzled nearly all of Joel's millions (Joel would eventually gave some of it back after a long legal battle).

For much of the late 80s and early 90s Joel had to tour excessively and also churn out hits singles to try and regain some money. Thus many of his post "Innocent Man" albums were comprised of a couple winning songs with a lot of filler that Joel seemed not to care about.

By 1993 Joel was fed up and told everyone when the album "River of Dreams" was released that it would be his last album and to date 2012 he has yet to release any new original material (he did compose a new classical album though in the late 1990s).

When I first heard this album in 1993 I thought it was spectacular and one of the best things I had ever heard but as I grew older and went through Joel's back catalogue I found it to be his most labored and produced album to date, also none of the joy he had in his music (that appears on "Innocent Man," "52nd Street," "Turnstiles" etc.) is largely absent though it does appear occasionally, particularly on the title track.

Since Joel planned this as his last album there is a heavy reflective quality in the lyrics and songs which gives a very somber tone. The last track is called "Famous Last Words" and ends the album and Joel's recording career with a chorus that sings "These are the last words I have to say."

While the songs sound good it is slightly sad that Joel chose to end his recording career with such a dark album and only four or five really great songs the rest sound good but are largely somber filler. On the up side the album was a smash hit with the excellent gospel infused title track becoming a giant hit that everyone was singing at the time. Other than that there is the sweet song to his daughter "Lullabye (Goodnight My Angel)," "The Great Wall of China" (obviously directed at his thieving manager) and "All about Soul." Also there is excellent artwork by the then Mrs. Joel Christie Brinkley.

This is not his best album but it contains one of his greatest songs and it will always have a special place in my collection as the first album I ever owned.

Billy Joel - "Greatest Hits Volume I & II"

After the massive success of 1983's "An Innocent Man" album Billy Joel took a breather by releasing his first (and as the title suggests second) greatest hits compilation. Released in 1985 as a double album package (you couldn't buy just one volume they came as a set) does its job of being a very good example of Joel's career up to that point. By 1985 Joel had amassed a massive amount of hits as well as good songs and fan favorites that were not released as singles. So it is obvious that no double disc compilation could collect them all so it is refreshing that the songs present are so well chosen.

Volume 1 (also disc 1) covers the years 1973-1977. Ignoring his botched independent first album "Cold Spring Harbor" (which was released in 1971 at the wrong speed making all the songs too fast. Later Columbia records re-released the album with the problems fixed in 1983) and starting with "Piano Man" and running through his first smash hit songs from "The Stranger" album. Though not all of the songs on this volume were actually big hits they were his charting singles (save "Scenes from an Italian Restaurant" which is a Joel and fan favorite that became very popular in his live shows) from the period and were popular on radio and eventually became very popular after Joel became a superstar.

Volume 2 (also disc 2) covers his superstar years 1978-1985 starting with songs from the album "52nd Street" through 1983's "An Innocent Man." All the songs here are smash hit singles and there is at least one song from all five albums he released during this period. The compilation ends with two new songs, only available on this album, both of which became hits as well. "You're Only Human (Second Wind)" is a fun catchy life affirming pop song and "The Night is Still Young" is a haunting powerhouse even though it is really just a great melody and chorus (it is still one of my favorite Joel songs).

While some may gripe that three BIG hits were left off, "Honesty," "Keeping the Faith" and "An Innocent Man," this double disc compilation does exactly what it sets out to do in being a excellent gathering of his biggest hits and a perfect example of why Billy Joel is one of the biggest superstars of the 1970s and 1980s.

Billy Joel - "An Innocent Man"

Billy Joel had been riding high as a music superstar since 1977's "The Stranger" and he had at least two hit singles every other year with a new hit album. Released just a year after the incredibly ambitious, critically praised, but low selling (by Joel standards) "The Nylon Curtain" this album "An Innocent Man" released in 1983 is one of Joel's biggest hits, second only to "The Stranger."

 

1983 was a year of mega albums, Michael Jackson's "Thriller" and The Police's "Synchronicity" were just two other smash hits released that year. Billy Joel's "An Innocent Man" was no exception seven of the album's ten tracks were hit singles and this album bumped Joel into the 80s music superstar ranks along with Phil Collins and The Police.

Like his previous albums he finds his inspiration from other artists but Joel never ceases to make them his own and superproducer Phil Ramone makes sure everything is pure pop. And somehow even though everythign is decidedly retro it never ceases to have a 1980s feel and I mean that in a good way.

 

What is most interesting about this album is that it is a homage to the music of Joel's youth, focusing on styles of late 1950s and early 1960s Doo-Wop and R&B. "Easy Money" is a Wilson Pickett soul rocker, the title track is inspired by "Stand By Me," "The Longest Time" is straight 1950s acapella gold, "Tell her About it" is Motown pop, "Uptown Girl" is a Four Seasons popper and "Christie Lee" is pure Little Richard complete with Wooohooo's. "This Night" and "Leave a tender Moment Alone" are pure Joel love ballads and the album closing "Keeping the Faith" is a toe tapping gospel inspired number.

 

Aside from a great batch of songs, also helping the album sales were the retro style music videos that played on the then very popular MTV. The videos looked like mini musicals with "The Longest Time" having Joel and company dressed up like singing janitors at a high school and "Uptown Girl" featured him as a mechanic with a garage full of dancers and a supermodel as his customer. That supermodel was played by Christy Brinkley, at the time the most famous model in the world, and whom Joel was dating and would marry in 1985. Many of the songs on the album were inspired by her and proves the time honored theory (along with Eric Clapton's Layla album) that if you are a musician and you write a hit album about a woman she will fall in love with you.

 

On the down side once Joel and Brinkley divorced in 1994 he abandoned most of the songs from this album. This album also sadly marks an end to Joel's album excellence after a string of strong albums, this is his last to be fully formed. He would continue to write excellent hit songs but his albums would consist largely of filler after this. "An Innocent Man" is one of Billy Joel's finest albums and one of the pop classics from 1983, that has sadly become a little overlooked in his catalogue.

Billy Joel - "Glass Houses"

Ok my return to the alphabetical posts of my album collection.  The last time I was in order was Billy Joel's "Turnstiles." Here we have Joel's 1980 hit album "Glass Houses." In between the two albums were two smash hits "The Stranger" and "52nd Street" which had catapulted Joel from the sensitive guy who sang "Piano Man" to a music superstar and household name.

As always Joel was never praised much by the critics and that made him angry and music was exploring new territory with Punk and New Wave in the late 70s and early 80s. So this album is his response to all that.

"Glass Houses" was described by Joel as his punk rock album and while it really is not punk rock it is his most rock oriented album. Striping away much of the production aspects of his previous two records and focusing on his five man band. Producer Phil Ramone, who worked on Joel two previous albums, is back and makes sure that this is still a hit making pop/rock album.

While there is the tender "C'etait Toi (You Were the One)" and the McCartney-esque hit "Don't Ask Me Why"most of the songs are rockers "You May Be Right," "All for Leyna," "Close to the Borderline" and the excellent but often overlooked "Sometimes a Fantasy." Then there is the number one hit "It's Still Rock and Roll to Me," which is really a new wave style song with some punk leanings.

Overall "Glass Houses" has a harder edge than any of Joel's other albums and has some great songs that can only be found on this album, one of my favorites is "I Don't Want to Be Alone" with its catchy chorus and relatable story.  This album will please his die hard fans and critics because he moves away from some of his more familiar aspects and it is a good mark in Joel's catalogue.

Emmylou Harris - "Pieces of the Sky"

This is a recent purchase of mine and I will return to my alphabetical posts on my next posting (Billy Joel Glass Houses).

I had been listening to John Denver's song "Wild Montana Sky" which Emmylou Harris duets on. Then I also watched The Band's "Last Waltz" film which Harris appears in. So I began researching her and this album sounded great in the music samples and it was on sale at my local Barnes and Noble so I picked it up.

This is a very excellent album, equal parts folk, country and pop. Harris has a beautiful angelic voice and an ear for good sounds. There is a nice nod toward Appalachian sounds as well as pop climate ("Coat of Many Colors" and "For No One") and old fashioned bar room country ("Bluebird Wine" and "Queen of the Silver Dollar").

There are also some songs that connect life with the natural world around us, the Gram Parsons tribute "Boulder to Birmingham" and "Before Believing." This last aspect made this album feel like a more countrified John Denver, now I am not sure about her other works but this one to me has a very Denver feel.

I will say this is a very good album, but if you do not like country or folk you should stay away. From my research, however, this is supposedly Harris' most open album even if it is not her most praised. The 2004 CD reissue adds two previously unissued bonus tracks and a wonderful booklet.

The Allman Brothers Band - "At Fillmore East"

One of the best live albums ever released.

The Allman Brothers Band were essentially Southern Rock and Blues band but by 1971, when this album was released, they were becoming well known for their powerful live shows. While all the members are excellent most of the popularity referred to the powerful twin guitar interplay between Duane Allman and Dickey Betts. Their long, but always lyrical and coherent, jams sometimes lasted 45 minutes on a single song. Though they were billed as a Southern Rock/Blues band they had a great Jazz influence which showed in their live performances with the flowing powerful instrumental jams that they created.

Other members of the band include two drummers, Jai Johanson and Butch Trucks, bassist Berry Oakley, and singer/organist/pianist Gregg Allman. All the members are able to shine on this album even if most of the hoopla goes to Duane and Betts' guitar playing. Also to credit for this album's excellence is super producer Tom Dowd who took two concerts recorded at the Fillmore East on March 12 & 13 and edited them into one album. Dowd condenses songs and merges two performances into one. While some may balk at this tactic, it works to the album's advantage by picking the finest moments in each performance and focusing on that excellence. And while some songs have been edited that does not mean they are short, two of the album's seven tracks are 20 minutes long and another is 13 minutes. The tracks, however, never bog down and the listener is always entranced.

I originally was very hesitant about buying this album for many years because I was leery about the length of some of the tracks. I was kept interested because of all the praise the album received over the years. I eventually picked it up when I had a sale coupon which got me the CD at a really low price. The album is excellent and the longer songs do not feel as long as they are because they are so dynamic.

The Allman Brothers Band, especially at this stage in their career, are a great band and really shine in the live format. The album was a big hit and gained The Allmans a wider audience. The original seven track album is highly recommended. There are also other box sets and deluxe editions which feature the original performances before they were edited but these longer editions are really for the die hard fan. The seven track album is a must for rock and electric guitar fans. Duane Allman is one of the finest guitar players ever and he sadly died in a motorcycle accident shortly after this album's release, but this is a fitting tribute to his immense talent.