Kalapana -"Kalapana III"

Kalapana's third album originally released in 1977 has become something of a collectors item. Originally available internationally on vinyl record, the album was only released on CD in Japan. This makes it very hard to come by in the US or even Kalapana's home state of Hawaii. My very good friend Laurel lived in Japan for a while and generously got this album for me.

After the massive success of "Kalapana II," group leader Mackey Feary left the band for a solo career. Malani Bilyeu the other band leader took over the reigns as lead singer. Guitarist DJ Pratt also began writing and singing here with two songs. Randy Aloya was added to the group on bass guitar and vocals. Saxophonist Michael Paulo and drummer Alvin Fejarang, who had been sidemen on the previous two albums, were now listed as band members.

This album features a stronger jazz fusion component than their previous albums. The arrangements and stylings are also more experimental and ambitious. The songs are excellent especially for fans but because of their stylings they are not as instantly memorable as the work on their first two albums. The best songs are dominated by Bilyeu: the hit "Girl," "Inarajan," "Another Time" and "Dilemma." Other winning tracks are the haunting "Alisa Lovely" by Pratt and Fejarang and "Songbird" by Bilyeu and Pratt.

Overall this is a great album for Kalapana fans but unless you want to pay a high import price or find a friend in Japan this will be hard to come by. Some of the songs have appeared on various greatest hits collections. It is sad that the record company cannot at least make it available in Hawaii since this is a pretty good album but oh well.

Kalapana - "Kalapana II"

My Dad used to have this cassette tape in the car when I was little. I bought the CD for myself when I was a junior in High School.

Kalapana's second album was another success coming just one year after their debut. This album plays up their Jazz Rock stylings with tracks like "Freedom" and "Black Sand."

There are the lovely acoustic ballads as well, "Dorothy Louise" and "Lost Again." The group expands their sound incorporating blues "Wandering Stranger" country "Way That I Want It To Be" and flawless pop "Moon and Stars."

The band shows immense growth in their lyrics and music compositions. If you are a fan of Kalapana this is another winner for your collection.

Kalapana - "The Best Of: Vol. 1"

Hello readers, if there are any of you left out there, sorry for the long absence.  It was unexpected and unintentional.  But now I am back for you dear readers.

This is the first "Hawaiian" music CD I ever bought. I put Hawaiian in quotes because technically this is not traditionally Hawaiian music. All the lyrics are in English and the music style is closer to 1970s American pop/rock. Kalapana is closer in style to The Eagles or Loggins & Messina than other Hawaiian musicians like Gabby Pahinui. The band is from Hawaii though and gained their fame and following in the Hawaiian islands before branching out to Japan and the rest of the pacific.

Kalapana were arguably the most successful group in Hawaiian music in the 1970s, possibly second only to Cecilio & Kapono.

This 1992 thirteen track compilation contains many of the biggest hits from Kalapana's mid 70s heyday. This disc relies heavily on their debut album with seven of that albums songs appearing here. Three tracks from their second release and two tracks from their third album round out the compilation. The two tracks from the third album are something of a rarity because the band's third release is not available on CD in the USA, it is only on CD in Japan and thus can be found only as a very expensive import.

"Best of Vol 1" focuses largely on the band's acoustic folk/pop/rock and not featuring their more Jazz based rockers. Nonetheless the album contains many of their best songs and is a great introduction to the band. Either pick this album up or if you would like a more complete overview check out their first two albums (Kalapana 1 and 2). Like I said earlier this is the only USA available CD to have the songs "Inarajan," and "Alisa Lovely."

This is the first Hawaiian music CD I ever bought and I have been a Kalapana fan ever since.

Elton John - "11-17-70"

As a music listener there are a number of Elton John songs that I love, yet despite his excellent songs his albums often leave me unimpressed. This is the only Elton John album I own and it is a live showcase recorded shortly before "Your Song" became a number one smash. It is a live in studio concert (with a small audience) that was broadcast on live radio at the time.

By and large John performs like a rock and roll/blues/soul animal. This features his simple killer live trio of John on piano and vocals, Nigel Olsson on drums, and Dee Murray on bass. Many non-John fans seek out this album; not because of its rarity, it is readily available on CD and iTunes though it is a lesser known album. The song choices are why they seek it out.

He tears through a number of his lesser known songs with excellent readings of "Take me To the Pilot" and a killer cover of the Rolling Stones "Honky Tonk Women." All the tracks are either early album tracks, covers, or B-sides that did not appear on his albums. There is also that rock and roll jam style with all the seven tracks at least going five minutes, one over seven minutes and the closer an 18 minute medley that includes a section of The Beatles "Get Back."

The 1995 CD reissue, (the version I own) on John's Rocket Records as part of "Elton John The Classic Years" reissue series, has a decent booklet with historical notes but the sound is a bit softer than you would expect. Many Amazon reviewers prefer the out of print British CD import reissue from the same 1990s period.

Most fans will be happy with a good Greatest Hits compilation. Overall "11-17-70" is not necessary but a fun good live record and a wonderful showcase of Elton John before his massive success and before all his excess of the 1970s.

Billy Joel -"2000 Years The Millennium Concert"

On December 31, 1999 Billy Joel held a sold out concert at Madison Square Garden to celebrate the new millennium and he also labeled it his last concert (that didn't stick as about ten years later he went back on tour). The event lasted nearly four hours and acted as a history of his recording career and a great encapsulation of the 20th century and a warm welcome to the 21st. Equal mixes of heartfelt performance and sheer spectacle abound.

Two hours of that concert were released in May 2000 as this live album. It is not a bad album but not a great one either. At this point in his career Joel had released two live albums: the powerhouse 1981 release "Songs in the Attic" which shined a light on his lesser known great songs and thus made them big hits. Then there was the 1987 release "Kohuept" a document of his touring of the U.S.S.R. that was more of a historical release.

Here Joel tries to combine the two concepts. "I've Loved These Days," "My Life" and "Summer Highland Falls" all take on a special quality not only because it is the new millennium but also considering Joel's decision to retire from music and not tour for many years; they reach the "Songs in the Attic" feel. Many of those moments appear throughout the two discs but there are also lots of pure spectacle and average runs of a number of songs. Occasionally Joel's voice is pretty weak, the end of "New York State of Mind" really strains.

All in all this is a decent if unspectacular live album, better as capturing a moment in time and probably better if you were in the audience that night.  This is really for the most die-hard fans. His more recent concert album "12 Gardens Live" a compilation of his record setting 12 simultaneous sold out shows at Madison Square Garden is a far better live album with Joel in great energy and spirits. I keep this album because I became a Billy Joel fan right when he retired and this was his first non-Greatest Hits release between 1993 and 2000, so I picked it up.  Billy Joel is one of my favorites.

Billy Joel - "Greatest Hits Vol. III"

Released in 1997 four years after Billy Joel retired from Pop music. There had been a number of trials and tribulations between this Release and his previous hits collection released in 1985.

Between 1985 and '97 Joel had toured the USSR (1987), a great honor considering no American musician had been allowed to perform there during the cold war, which was documented on video and on album ("Kohuept"). He had two legal battles one with his manager who had stolen a large amount of Joel's money and his lawyer who had done similar things. He retired from music in 1993 and divorced wife of ten years Christie Brinkley in 1996. Also during this period he released only three new studio albums "The Bridge," "Storm Front" and "River of Dreams" all of which produced a number of hit singles and were big selling albums. Joel was also trying to recoup his stolen money so he toured extensively through the 1989-1994 era.

SO now we come to Greatest Hits III which by and large is a very well done hits compilation on par with his two previous comps. There are two big hits (which have actually been forgotten by most people and is possibly why they are not here) left off the disc, "Modern Woman" and "Big Man on Mulberry Street," but other than that this is a solid collection and a great document of the last part of Joel's recoding career.

The disc starts with two big hits that were left off his previous collection "An Innocent Man" and "Keeping the Faith" then flows into his late 80s and early 90s hits. These songs are very different from all his previous work as they are more slickly designed to be pop hits (the albums often contained a half hits and other half forgettable filler). But what is included here is excellent if slightly darker than his early work but great tracks one and all from "A Matter of Trust" to "River of Dreams" all his best latter work is here.

This compilation ends with three new recordings to entice big fans, all are covers however by Leonard Cohen, Bob Dylan, and Goffin and King respectively. All three are preformed in sleepy slow versions and only Joel's rendition of Dylan's "To Make you Feel My Love" sticks in the memory. But these three tracks are not on par with the rest of the hits and Joel seems to have halfheartedly thrown them on at the record company's request. Also as is par with Joel albums the booklet is just the song lyrics nothing more.

Other than that this is a great compilation especially since Billy Joel's albums from this period were often half hits and half forgettable this is a really necessary collection for fans and novices.

Billy Joel - "River of Dreams"

The first CD I ever owned and Billy Joel's last pop album of new material.  After his massive 1980s success Joel had been riding high on "An Innocent Man" and "The Bridge" when he found that his manager, since the beginning of his career, had embezzled nearly all of Joel's millions (Joel would eventually gave some of it back after a long legal battle).

For much of the late 80s and early 90s Joel had to tour excessively and also churn out hits singles to try and regain some money. Thus many of his post "Innocent Man" albums were comprised of a couple winning songs with a lot of filler that Joel seemed not to care about.

By 1993 Joel was fed up and told everyone when the album "River of Dreams" was released that it would be his last album and to date 2012 he has yet to release any new original material (he did compose a new classical album though in the late 1990s).

When I first heard this album in 1993 I thought it was spectacular and one of the best things I had ever heard but as I grew older and went through Joel's back catalogue I found it to be his most labored and produced album to date, also none of the joy he had in his music (that appears on "Innocent Man," "52nd Street," "Turnstiles" etc.) is largely absent though it does appear occasionally, particularly on the title track.

Since Joel planned this as his last album there is a heavy reflective quality in the lyrics and songs which gives a very somber tone. The last track is called "Famous Last Words" and ends the album and Joel's recording career with a chorus that sings "These are the last words I have to say."

While the songs sound good it is slightly sad that Joel chose to end his recording career with such a dark album and only four or five really great songs the rest sound good but are largely somber filler. On the up side the album was a smash hit with the excellent gospel infused title track becoming a giant hit that everyone was singing at the time. Other than that there is the sweet song to his daughter "Lullabye (Goodnight My Angel)," "The Great Wall of China" (obviously directed at his thieving manager) and "All about Soul." Also there is excellent artwork by the then Mrs. Joel Christie Brinkley.

This is not his best album but it contains one of his greatest songs and it will always have a special place in my collection as the first album I ever owned.