Kalapana - "The Best Of: Vol. 1"

Hello readers, if there are any of you left out there, sorry for the long absence.  It was unexpected and unintentional.  But now I am back for you dear readers.

This is the first "Hawaiian" music CD I ever bought. I put Hawaiian in quotes because technically this is not traditionally Hawaiian music. All the lyrics are in English and the music style is closer to 1970s American pop/rock. Kalapana is closer in style to The Eagles or Loggins & Messina than other Hawaiian musicians like Gabby Pahinui. The band is from Hawaii though and gained their fame and following in the Hawaiian islands before branching out to Japan and the rest of the pacific.

Kalapana were arguably the most successful group in Hawaiian music in the 1970s, possibly second only to Cecilio & Kapono.

This 1992 thirteen track compilation contains many of the biggest hits from Kalapana's mid 70s heyday. This disc relies heavily on their debut album with seven of that albums songs appearing here. Three tracks from their second release and two tracks from their third album round out the compilation. The two tracks from the third album are something of a rarity because the band's third release is not available on CD in the USA, it is only on CD in Japan and thus can be found only as a very expensive import.

"Best of Vol 1" focuses largely on the band's acoustic folk/pop/rock and not featuring their more Jazz based rockers. Nonetheless the album contains many of their best songs and is a great introduction to the band. Either pick this album up or if you would like a more complete overview check out their first two albums (Kalapana 1 and 2). Like I said earlier this is the only USA available CD to have the songs "Inarajan," and "Alisa Lovely."

This is the first Hawaiian music CD I ever bought and I have been a Kalapana fan ever since.

Elton John - "11-17-70"

As a music listener there are a number of Elton John songs that I love, yet despite his excellent songs his albums often leave me unimpressed. This is the only Elton John album I own and it is a live showcase recorded shortly before "Your Song" became a number one smash. It is a live in studio concert (with a small audience) that was broadcast on live radio at the time.

By and large John performs like a rock and roll/blues/soul animal. This features his simple killer live trio of John on piano and vocals, Nigel Olsson on drums, and Dee Murray on bass. Many non-John fans seek out this album; not because of its rarity, it is readily available on CD and iTunes though it is a lesser known album. The song choices are why they seek it out.

He tears through a number of his lesser known songs with excellent readings of "Take me To the Pilot" and a killer cover of the Rolling Stones "Honky Tonk Women." All the tracks are either early album tracks, covers, or B-sides that did not appear on his albums. There is also that rock and roll jam style with all the seven tracks at least going five minutes, one over seven minutes and the closer an 18 minute medley that includes a section of The Beatles "Get Back."

The 1995 CD reissue, (the version I own) on John's Rocket Records as part of "Elton John The Classic Years" reissue series, has a decent booklet with historical notes but the sound is a bit softer than you would expect. Many Amazon reviewers prefer the out of print British CD import reissue from the same 1990s period.

Most fans will be happy with a good Greatest Hits compilation. Overall "11-17-70" is not necessary but a fun good live record and a wonderful showcase of Elton John before his massive success and before all his excess of the 1970s.

Billy Joel -"2000 Years The Millennium Concert"

On December 31, 1999 Billy Joel held a sold out concert at Madison Square Garden to celebrate the new millennium and he also labeled it his last concert (that didn't stick as about ten years later he went back on tour). The event lasted nearly four hours and acted as a history of his recording career and a great encapsulation of the 20th century and a warm welcome to the 21st. Equal mixes of heartfelt performance and sheer spectacle abound.

Two hours of that concert were released in May 2000 as this live album. It is not a bad album but not a great one either. At this point in his career Joel had released two live albums: the powerhouse 1981 release "Songs in the Attic" which shined a light on his lesser known great songs and thus made them big hits. Then there was the 1987 release "Kohuept" a document of his touring of the U.S.S.R. that was more of a historical release.

Here Joel tries to combine the two concepts. "I've Loved These Days," "My Life" and "Summer Highland Falls" all take on a special quality not only because it is the new millennium but also considering Joel's decision to retire from music and not tour for many years; they reach the "Songs in the Attic" feel. Many of those moments appear throughout the two discs but there are also lots of pure spectacle and average runs of a number of songs. Occasionally Joel's voice is pretty weak, the end of "New York State of Mind" really strains.

All in all this is a decent if unspectacular live album, better as capturing a moment in time and probably better if you were in the audience that night.  This is really for the most die-hard fans. His more recent concert album "12 Gardens Live" a compilation of his record setting 12 simultaneous sold out shows at Madison Square Garden is a far better live album with Joel in great energy and spirits. I keep this album because I became a Billy Joel fan right when he retired and this was his first non-Greatest Hits release between 1993 and 2000, so I picked it up.  Billy Joel is one of my favorites.

Billy Joel - "Greatest Hits Vol. III"

Released in 1997 four years after Billy Joel retired from Pop music. There had been a number of trials and tribulations between this Release and his previous hits collection released in 1985.

Between 1985 and '97 Joel had toured the USSR (1987), a great honor considering no American musician had been allowed to perform there during the cold war, which was documented on video and on album ("Kohuept"). He had two legal battles one with his manager who had stolen a large amount of Joel's money and his lawyer who had done similar things. He retired from music in 1993 and divorced wife of ten years Christie Brinkley in 1996. Also during this period he released only three new studio albums "The Bridge," "Storm Front" and "River of Dreams" all of which produced a number of hit singles and were big selling albums. Joel was also trying to recoup his stolen money so he toured extensively through the 1989-1994 era.

SO now we come to Greatest Hits III which by and large is a very well done hits compilation on par with his two previous comps. There are two big hits (which have actually been forgotten by most people and is possibly why they are not here) left off the disc, "Modern Woman" and "Big Man on Mulberry Street," but other than that this is a solid collection and a great document of the last part of Joel's recoding career.

The disc starts with two big hits that were left off his previous collection "An Innocent Man" and "Keeping the Faith" then flows into his late 80s and early 90s hits. These songs are very different from all his previous work as they are more slickly designed to be pop hits (the albums often contained a half hits and other half forgettable filler). But what is included here is excellent if slightly darker than his early work but great tracks one and all from "A Matter of Trust" to "River of Dreams" all his best latter work is here.

This compilation ends with three new recordings to entice big fans, all are covers however by Leonard Cohen, Bob Dylan, and Goffin and King respectively. All three are preformed in sleepy slow versions and only Joel's rendition of Dylan's "To Make you Feel My Love" sticks in the memory. But these three tracks are not on par with the rest of the hits and Joel seems to have halfheartedly thrown them on at the record company's request. Also as is par with Joel albums the booklet is just the song lyrics nothing more.

Other than that this is a great compilation especially since Billy Joel's albums from this period were often half hits and half forgettable this is a really necessary collection for fans and novices.

Billy Joel - "River of Dreams"

The first CD I ever owned and Billy Joel's last pop album of new material.  After his massive 1980s success Joel had been riding high on "An Innocent Man" and "The Bridge" when he found that his manager, since the beginning of his career, had embezzled nearly all of Joel's millions (Joel would eventually gave some of it back after a long legal battle).

For much of the late 80s and early 90s Joel had to tour excessively and also churn out hits singles to try and regain some money. Thus many of his post "Innocent Man" albums were comprised of a couple winning songs with a lot of filler that Joel seemed not to care about.

By 1993 Joel was fed up and told everyone when the album "River of Dreams" was released that it would be his last album and to date 2012 he has yet to release any new original material (he did compose a new classical album though in the late 1990s).

When I first heard this album in 1993 I thought it was spectacular and one of the best things I had ever heard but as I grew older and went through Joel's back catalogue I found it to be his most labored and produced album to date, also none of the joy he had in his music (that appears on "Innocent Man," "52nd Street," "Turnstiles" etc.) is largely absent though it does appear occasionally, particularly on the title track.

Since Joel planned this as his last album there is a heavy reflective quality in the lyrics and songs which gives a very somber tone. The last track is called "Famous Last Words" and ends the album and Joel's recording career with a chorus that sings "These are the last words I have to say."

While the songs sound good it is slightly sad that Joel chose to end his recording career with such a dark album and only four or five really great songs the rest sound good but are largely somber filler. On the up side the album was a smash hit with the excellent gospel infused title track becoming a giant hit that everyone was singing at the time. Other than that there is the sweet song to his daughter "Lullabye (Goodnight My Angel)," "The Great Wall of China" (obviously directed at his thieving manager) and "All about Soul." Also there is excellent artwork by the then Mrs. Joel Christie Brinkley.

This is not his best album but it contains one of his greatest songs and it will always have a special place in my collection as the first album I ever owned.

Billy Joel - "Greatest Hits Volume I & II"

After the massive success of 1983's "An Innocent Man" album Billy Joel took a breather by releasing his first (and as the title suggests second) greatest hits compilation. Released in 1985 as a double album package (you couldn't buy just one volume they came as a set) does its job of being a very good example of Joel's career up to that point. By 1985 Joel had amassed a massive amount of hits as well as good songs and fan favorites that were not released as singles. So it is obvious that no double disc compilation could collect them all so it is refreshing that the songs present are so well chosen.

Volume 1 (also disc 1) covers the years 1973-1977. Ignoring his botched independent first album "Cold Spring Harbor" (which was released in 1971 at the wrong speed making all the songs too fast. Later Columbia records re-released the album with the problems fixed in 1983) and starting with "Piano Man" and running through his first smash hit songs from "The Stranger" album. Though not all of the songs on this volume were actually big hits they were his charting singles (save "Scenes from an Italian Restaurant" which is a Joel and fan favorite that became very popular in his live shows) from the period and were popular on radio and eventually became very popular after Joel became a superstar.

Volume 2 (also disc 2) covers his superstar years 1978-1985 starting with songs from the album "52nd Street" through 1983's "An Innocent Man." All the songs here are smash hit singles and there is at least one song from all five albums he released during this period. The compilation ends with two new songs, only available on this album, both of which became hits as well. "You're Only Human (Second Wind)" is a fun catchy life affirming pop song and "The Night is Still Young" is a haunting powerhouse even though it is really just a great melody and chorus (it is still one of my favorite Joel songs).

While some may gripe that three BIG hits were left off, "Honesty," "Keeping the Faith" and "An Innocent Man," this double disc compilation does exactly what it sets out to do in being a excellent gathering of his biggest hits and a perfect example of why Billy Joel is one of the biggest superstars of the 1970s and 1980s.

Billy Joel - "An Innocent Man"

Billy Joel had been riding high as a music superstar since 1977's "The Stranger" and he had at least two hit singles every other year with a new hit album. Released just a year after the incredibly ambitious, critically praised, but low selling (by Joel standards) "The Nylon Curtain" this album "An Innocent Man" released in 1983 is one of Joel's biggest hits, second only to "The Stranger."

 

1983 was a year of mega albums, Michael Jackson's "Thriller" and The Police's "Synchronicity" were just two other smash hits released that year. Billy Joel's "An Innocent Man" was no exception seven of the album's ten tracks were hit singles and this album bumped Joel into the 80s music superstar ranks along with Phil Collins and The Police.

Like his previous albums he finds his inspiration from other artists but Joel never ceases to make them his own and superproducer Phil Ramone makes sure everything is pure pop. And somehow even though everythign is decidedly retro it never ceases to have a 1980s feel and I mean that in a good way.

 

What is most interesting about this album is that it is a homage to the music of Joel's youth, focusing on styles of late 1950s and early 1960s Doo-Wop and R&B. "Easy Money" is a Wilson Pickett soul rocker, the title track is inspired by "Stand By Me," "The Longest Time" is straight 1950s acapella gold, "Tell her About it" is Motown pop, "Uptown Girl" is a Four Seasons popper and "Christie Lee" is pure Little Richard complete with Wooohooo's. "This Night" and "Leave a tender Moment Alone" are pure Joel love ballads and the album closing "Keeping the Faith" is a toe tapping gospel inspired number.

 

Aside from a great batch of songs, also helping the album sales were the retro style music videos that played on the then very popular MTV. The videos looked like mini musicals with "The Longest Time" having Joel and company dressed up like singing janitors at a high school and "Uptown Girl" featured him as a mechanic with a garage full of dancers and a supermodel as his customer. That supermodel was played by Christy Brinkley, at the time the most famous model in the world, and whom Joel was dating and would marry in 1985. Many of the songs on the album were inspired by her and proves the time honored theory (along with Eric Clapton's Layla album) that if you are a musician and you write a hit album about a woman she will fall in love with you.

 

On the down side once Joel and Brinkley divorced in 1994 he abandoned most of the songs from this album. This album also sadly marks an end to Joel's album excellence after a string of strong albums, this is his last to be fully formed. He would continue to write excellent hit songs but his albums would consist largely of filler after this. "An Innocent Man" is one of Billy Joel's finest albums and one of the pop classics from 1983, that has sadly become a little overlooked in his catalogue.